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Mademoiselle Giraud, My Wife (Texts and Translations), by Adolphe Belot
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Adolphe Belot was the envy of his contemporaries Émile Zola and Gustave Flaubert: his books, unlike theirs, were best-sellers. He specialized in popular fiction that provided readers with just the right mix of salaciousness and propriety. (Under the initials A. B. he dispensed entirely with propriety.)
The sensational Mademoiselle Giraud, my Wife (published in 1870 with a preface by Zola) tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers. In the pitched battle between husband and wife, the sexes are evenly matched--until the end.
Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men. This example of commercial fiction, Rivers argues, reveals tensions in nineteenth-century French society not apparent in canonical works of high culture.
- Sales Rank: #4349790 in Books
- Brand: Brand: Modern Language Assn of Amer
- Published on: 2002-01-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.50" w x .75" l, .66 pounds
- Binding: Paperback
- 256 pages
- Used Book in Good Condition
Review
"Professor Rivers's work is an extraordinary and successful undertaking. Unjustly forgotten, Belot's novel is especially appealing today, given the current interest in feminism, gender studies, and queer studies. A great addition to the series." --Lawrence R. Schehr, professor of French, University of Illinois
"Christopher Rivers deserves praise for his seamless and highly readable translation, which (in keeping with the spirit of the popular novel) will make this text available to a broad reading public. Rivers writes that his aim was to 'capture at once the period flavor and the vitality of the original,' and in this he has admirably succeeded." --Annie Smart, Saint Louis University
Language Notes
Text: English (translation)
Original Language: French
About the Author
Adolphe Belot (1829-90) was born in Guadeloupe, studied and practiced law in France, and became a playwright and novelist in Paris. The money he made from his many potboilers supported his extravagant lifestyle.
Christopher Rivers is professor of French at Mount Holyoke College. He is author of Face Value: Physiognomical Thought and the Legible Body in Marivaux, Lavater, Balzac, Gautier, and Zola.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Why won't she sleep with him?
By Patto
Whatever you do, don't read the preface by Zola before you read the book. Zola gives away the whole story in his ardent defense of his friend's novel and its sensitive subject matter. Wait on the introduction, too. Its insights will be more meaningful after you've suffered along with the protagonist.
Adrien de C. makes his fortune building railroad lines in Egypt. Back in Paris, he feels quite ready to marry. But he's too fine a catch, with his appealing looks, good character and sound finances. Matchmakers inundate him with model young ladies. Their very perfection soon bores him. He falls madly in love with a sulky, sultry beauty who promises to be difficult.
And Mlle. Giraud is difficult indeed. Although she weds Adrien willingly enough, night after night she locks him out of the bedroom, refusing to consummate the marriage. She seems happy only in the company of her best friend from convent days, Mme de Blangy.
The plot evolves around Adrien's many elaborate attempts to overcome, or at least understand, his wife's resistance. But the plot is merely the medium for a powerful piece of psychological realism.
Mademoiselle Giraud first appeared in 1869 in serial form, but the series was cancelled, supposedly due to public outrage. When it was published in complete novel form, the book sold thousands of copies and was reprinted thirty times.
I won't give away the "scandalous" subject of this book. (Maybe you know it anyway?) Just be prepared for sexual attitudes that are purely nineteenth-century.
Assuming you're an enlightened reader with twenty-first-century ideas, you're not likely to agree with the viewpoint of this book. But you can still enjoy it as a revealing product of its time - and a fascinating portrait of frustrated love. At least, I did.
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